Thoughts about his life, Relationships, and Interactions With Hospice Volunteers.

End Of The Film

End Of The Film

End Of The Film

"End of The Film" beautifully narrates the touching story of a film projector machinist in a hospice, as he reflects on his life nearing to end of his life. The play emphasises the brevity of life, the significance of cherished relationships, and the value of memories. It provides insights into contemporary youth issues, evoking both sadness and smiles through his reflections on regrets and joys, ultimately delving into the true meaning of life. The performance features memorable scenes, captivating music, and dance scenes for the audience to enjoy.
The play revolves around Selim uncle, a Turkish immigrant living in London, now in a hospice. As he approaches the end of his life, a documentary presenter named Nilay visits to interview him. The narrative moves between real-time interactions, inner monologues, flashbacks, and even dream sequences, blending Turkish and English dialogues to reflect a multicultural context.

Throughout the play:

Selim uncle reflects on his life—his regrets, his passion for cinema, missed opportunities, and the importance of kindness.

Nilay, seemingly shallow and preoccupied with social media, undergoes transformation through her encounter with Selim and the volunteers.

There’s a beautiful portrayal of hospice volunteers who bring joy, support, and dignity to Selim’s final days.

Generational and cultural clashes are shown in scenes with his family, volunteers, and hospice staff.

The play includes songs, poems, symbolic dances, and even fantastical elements like Selim dreaming he is a tree among other trees.

It ends on a hopeful note: despite pain and loss, there’s always a chance to find joy, connect with others, and live life fully.

"At London Emek, we celebrate the joy of amateur theatre, where passion fuels each performance. Our goal is to produce shows that connect with the heart and soul of our community. While our audience understands that our work is not polished or commercial, they appreciate the authenticity, passion, and raw energy we bring to the stage. We are not simply a group striving for perfection, but instead a community focused on connection and collaboration. By coming together twice a week, we embark on a meaningful journey, building relationships that transcend age and background.
Our theatre group is made up of individuals who are often new to the stage, some of whom are facing personal challenges such as anxiety or a lack of self-confidence. For them, the process is about more than just acting; it’s a path to personal growth, self-expression, and overcoming fear."

Audience Reflections

Local Motion Magazine

Connecting With The Community

- Local Motion Magazine

The Cast

Inan Çiftçi:Inan Çiftçi
Calbert George Beckford:Calbert George Beckford
Nurcan Sahin:Nurcan Sahin
Sabire Tirpan:Sabire Tirpan
Greg Ryan:Greg Ryan
Sam Mathias Stanley
Kiymet Kulova
Hande Erel
Dylan Carter
Erdem Hazar
Firat Sac
Koray vatansever
Neclam Gumusatam
Vasilena Hasanova
Işık Hüseyin Akpinar
Taijon Witter
Steve Smith
Sugar Ahmed
Batu Tirpan
Burak Dagbagli
Blenard Loka
Ayse Yigit
Rezhep
Fiko Selyatin
Ventsislav Stefanov
Gyulay Stefanova
Evin Bayir
Daiana Neagu
Ennis Mehmet
Nida Kocaoglu
Menekse Ayrilmaz
Elif Can Yazgun
Rabiya Gumusatam
Deniz Karabulut
Burcu Incekara
Candy Fermandes
Andrea Au
Maria Hanson
Chineddu
Obinna
Zhang Chen
Lavender Lee

The Team Behind the Curtain

Written- Directed by:Saray Karakus
Editor :Cebrail Ozer
A-Director :Oguz Han Ayaz
Surtitle -Digital Content :Ayhan Colak
Lighting Sound:Volkan Davulcu
Photography/Videography/Mime art :Roshan Griffith Allen
Photography/Videography/Mime art:Sam Mathias Stanley
Costume /Make up /Decor :Vesna Varga- Sabire Tırpan-Rabiya Gumusatam - Kwame Nkrumah
Additional line to poem:Kazim Yilmaz
Poem of stand up women :Burcu Incekara

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